- Composed by Hans Zimmer
- Sony Classical 88697-52096-2 / 2009 / 54:17
Hans Zimmer takes us back in time in Angels and Demons, the film follow-up to The Da Vinci Code. 1973 to be precise – the year of Tubular Bells. Listening to this album’s opening track, one can’t help but think of Mike Oldfield’s popular old work. It’s quite well-done synth pop, but sounds ludicrously cheap. This quickly becomes the pattern for the whole album, and – given that the only memorable melodic feature is the theme carried over from the previous score – it sounds like the whole thing could have been written and recorded over an afternoon with a couple of pints of Löwenbräu. But as long as you go into the experience with that in mind – there is no serious dramatic film score here, so don’t expect one – you can, as is often the case with Zimmer, find an enjoyable album of instrumental pop music.
Joining in the party is Joshua Bell, whose prominently-credited violin solos are mostly limited to playing the “Chevaliers de Sangreal” theme from The Da Vinci Code in decent new arrangements. But there’s nothing as striking here as that score’s grand finale – Zimmer has replaced the opulent grandstanding that dominated the previous score with more “guttural” grandstanding here (it has a dirtier, more raw sound). It’s all pretty enjoyable to hear – there’s something curiously attractive about Zimmer’s music when he’s in this sort of mood. The dramatic instincts may be infantile – and it can take a while to get over how cheap it sounds – but for sheer fun factor, it provides a lot of entertainment. ***