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Artwork copyright (c) 2004 Warner Bros.
Entertainment Inc.; review copyright (c)
2004 James Southall
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THE BIG BOUNCE Enjoyable
light comedy score A review by JAMES SOUTHALL 2004's The Big Bounce finally gives audiences what they
have been crying out for for so long, the first on-screen union of those two
acting gods, Owen Wilson and Vinnie Jones. Also slumming it are Morgan
Freeman and Gary Sinise, along with the rather lovely Sara Foster. And
Willie Nelson. Based on Elmore Leonard's novel, it's a stylish light
comedy caper set in Hawaii seeing various characters' paths suddenly
intersecting. It hasn't exactly attracted the best of reviews, but has
certainly seen a few positive ones, as is fairly common with movies based on
Leonard's writing. Along for the ride is composer George S. Clinton, who keeps
his tongue firmly in his cheek throughout the score. Unfortunately he does
seem to have become somewhat typecast for screwball comedies following his Austin
Powers scores, but then he is very good at them. He has a lot of fun
with the location, using a Hawaiian steel guitar in amusing fashion throughout,
and also building in prominent roles for a ukelele and baritone sax. Add
in a string section and some percussion and you get some pleasant, easy-going
music that is highly attractive throughout. There isn't much substance to
it (as you may expect) and the fact that the cues are all so short means that
the listener never really feels that he is experiencing more than a series of
short, pleasant vignettes rather than a full-blown meal, but that's all it's
intended to be, and all a score for a movie like this could ever be. It's difficult to know what else to say about The Big
Bounce - it's not going to appear on anyone's "best of 2004" list,
but then it's almost impossible to dislike. Fans of light comedy music
will not be disappointed. Buy
this CD from amazon.com by clicking here! Tracks
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