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Artwork copyright (c) 1975 Metro-Goldwyn-Mayer
Studios; review copyright (c)
2003 James Southall
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BRANNIGAN Excellent
jazzy policy score A review by JAMES SOUTHALL John Wayne starred in two police dramas in the
mid 1970s (everything else he made during the decade was a western) and,
bizarrely, their scores have both been released on CD, by two different labels,
within days of each other. Along with Film Score Monthly's release of
Elmer Bernstein's McQ comes La-La Land's release of Dominic Frontiere's
for Brannigan. I must admit to never having even heard of Brannigan
before this release came around, and never having heard any music by Frontiere,
whose output seems to be sadly neglected on CD. It's an urban, funky score, similar in ways to
something like Lalo Schifrin's Dirty Harry, but with a lot of personality
of its own. It's vibrant and dynamic, with the London Symphony Orchestra
combining with guitars and percussion for a sometimes jazzy, frequently exciting
package. Frontiere's music always emphasises the "fish out of
water" scenario of the film, in which John Wayne's Chicago cop goes off to
London in search of a mobster. His driving main theme is quintessentially
American, and very funky. The four-part "Ransom" sequence sees
lots of action and suspense music, and it's done very well; it's a real surprise
that Frontiere didn't get to work on more of these kinds of things. His
action music actually evokes the same sound as Jerry Goldsmith was providing for
no end of action thrillers through the 1970s, like Breakout (written at
the same time as this). Frontiere occasionally emphasises the comedy
of the interplay between Wayne's tough character and Richard Attenborough's
quaint English policemen, such as in "Twenty Five Grand". Some
of the cues actually seem more like standalone jazz than film music, like
"Stampede Along the Thames", a wonderfully groovy piece that you could
easily dance to. This is a very good score, and well done to La-La Land
for releasing it. A relatively obscure film from thirty years ago with
music by a composer whose name will not sell albums - but it's good music - and
that's what counts. Tracks
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