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Artwork copyright (c) 2003 CBS
Broadcasting, Inc.; review copyright (c)
2003 James Southall
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THE CBS YEARS VOLUME 1 Dark
and dreary portrait of the west A review by JAMES SOUTHALL The concept of library music for television is
now outdated, though was at its peak in the late 1950s and early 60s, especially
at CBS, whose musical director Lud Gluskin decided that the pressures of writing
a score in such a short space of time could only stifle creativity in television
music, and so instead favoured this concept: a composer would be given time to
write several pieces that could be used over and over again over the course of a
series. His prior relationship with Bernard Herrmann allowed him to claim
the great coup of getting Herrmann's services to provide some of this library
music for CBS television series like Have Gun - Will Travel, Rawhide
and Gunsmoke. This album presents three different suites of
library music - "Western Suite", "The Indian Suite" and
"Western Saga" - along with actual scores to two episodes, the pilot
episode of Have Gun - Will Travel and "The Tall Trapper"
episode of Gunsmoke. It opens with Herrmann's ten-minute score for
the former, which is dominated by a powerful four-note horn motif. Budget
only stretched to a very small ensemble and for this particular episode, the
composer used only brass and percussion, but he was always a master at getting
the best out of very small ensembles and this is the case here as well.
It's arguably the highlight of the album. "Western Suite" is written for
winds, harp and percussion and is surprisingly bleak for most of its
length. Obviously Herrmann always saw the bleak side of things, but one
might have expected something a little lighter - and occasionally a little
happier! - than this for a weekly tv show. Most of the cues state a very
short motif and then present variations on it for a couple of minutes.
There is some occasional warmth, such as in the impressive "Tranquil
Landscape", but mostly there is a never-changing, slightly funereal mood of
darkness. Even cues where you might expect something a bit more striking -
"Gunfight" - the mood doesn't change. The suite from Gunsmoke is considerably
warmer, employing a few strings for a start, and is actually the most lyrical
and pleasant music on the album. Herrmann was obviously feeling unusually
conciliatory on that day! "The Indian Suite" is a bit different;
again, it's just brass and percussion, but this time Herrmann goes for a much
more striking mood. "Echo" is the closest he really comes in the
whole album to creating a mood similar to that heard in the majority of western
scores by everyone else, of horses galloping over sweeping landscapes. OK,
it's hardly The Magnificent Seven, but it's a start, and a welcome
respite by this stage from the slightly dreary mood. The "Western
Saga" suite is, again, for brass and percussion, sharing much in common
with the music from the pilot of Have Gun - Will Travel.
Fortuitously, Herrmann does include a bit of warmth this time, such as in the
lovely "Street Music". The striking, forceful "The
Hunt" is another highlight. In truth, these suites never give the
impression of having been written as anything other than scores for specific
movies. Herrmann obviously took the job seriously, possibly conjuring up
images in his head and then scoring those images. The album does, however,
make for a slightly strained listen, given its almost unendingly monotonous
nature - Herrmann seeks the dark and dreary seemingly in everything, and you
long for a big, expansive theme to crop up occasionally. Taken in
isolation, any of these suites is excellent; but listening to one after the
other is almost enough to drive you to drink. Tracks
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