Visit the Movie Wave Store | Movie Wave Home | Reviews by Title | Reviews by Composer THE FAMILY STONE Warm-hearted Christmas score A review by JAMES SOUTHALL Music composed by MICHAEL GIACCHINO Rating * * * |
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Performed
by Orchestration Engineered by Album running time Released by Album cover copyright (c) 2005 Twentieth Century Fox Film Corporation#; review copyright (c) 2006 James Southall |
A version of this review originally appeared at Film Music on the Web edited by Michael McLennan. So rare is it in the present Hollywood environment for a new film composer to emerge with a strong, distinct musical voice of his own – and get to use that voice on films with nine-figure budgets – that we should cherish whichever ones somehow manage to break through the gloop. Michael Giacchino has had a remarkable rise up the film music ladder from his early days of writing music for video games – he moved into television, and then his first mainstream film released in cinemas was, incredibly, The Incredibles – a Disney/Pixar animation is as close to guaranteed megabucks at the box office as you’re going to get, and for an inexperienced composer with no big hits to his name to get a chance to work on it must surely be unprecedented. Of course, the film was a huge success, and of course the music was great. Since then, Giacchino has scored another mega-budget movie, Mission: Impossible 3 – you may have heard of it – as well as one of the day’s most successful tv shows, Lost, and a handful of smaller projects. A remarkable rise, indeed. In some ways, though, it’s easier to score The Incredibles or Mission: Impossible 3 and grace them with your own voice than it is to score some of those “lesser” projects and manage to do the same. The Family Stone is one such project – a standard Christmas-set romantic comedy, the sort of film which offers the composer no chance to really break the mould – and it comes as no surprise to find Giacchino painting in broad strokes with pleasant piano solos, light-hearted orchestral playfulness and the kind of cuddly warmth which always finds its way into these things. Giacchino captures the Christmas spirit perfectly and while it may all be somewhat predictable, including the usual large hint of Tchaikovsky which always seems to appear in Hollywood's Christmas film music (there’s even a quote from The Nutcracker), somehow that just seems to add to the appeal. The
score opens with a rigorous waltz, “The Stone Family
Waltz”, which is over almost as soon as it’s begun, but
which certainly raises a warm smile of appreciation. The bulk of
the score is much softer, with some genuinely delightful music –
the waltz turns out to be the main theme, but is usually heard in far
gentler settings, such as the flute trill which introduces it in
“Try It On”. The more tender moments are scored well
– the transparent string style so familiar from Lost is very much
in evidence, proving that yes, Giacchino can put his own distinct mark
even on a score like this one – “It’s Snowing”
is the pick of the romantic tracks, unusually drawn-out (at five
minutes) and well-constructed. (Slightly distracting is the fact
that the main theme is ever-so-slightly reminiscent of the theme music
from the 1990s British sitcom Keeping Up Appearances
– though I don’t suppose it will affect too many listeners
who reside outside the British Isles, should such people exist, the
temptation to shout, falsetto, “Bouquet Residence, the lady of
the house speaking” may prove irresistible to those who live
within them. On second thoughts, perhaps that's just me.) Tracks
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