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Artwork copyright (c) 1994 Paramount
Pictures; review copyright (c) 2004 James Southall
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FORREST GUMP Alan
Silvestri is like a box of chocolates A review by JAMES SOUTHALL Forrest Gump is no ordinary motion picture.
There's no particular plot, characters drift in and out, magical things happen;
it's essentially a story of aspiration, seeing how life's choices can have
strange results. Tom Hanks is excellent in the lead role, ably supported
by the likes of Gary Sinise, Robin Wright Penn and Sally Field. The
effects are marvelous (and sometimes amusing, particularly when Hanks meets
JFK). Robert Zemeckis directs with his usual flair and, of course,
employed his usual composer, Alan Silvestri, whose score is probably his
strongest. (His achievement is all the more remarkable given how he had to
weave his score around so very many songs in the movie - that it turned out to
be so memorable is admirable.) Silvestri has said that when he and Zemeckis first sat down to
spot the movie, they were going to try to find which places the main theme
should go through the movie - but when they got to those places, Silvestri just
kept coming up with more and more themes. And he did. There are as
many memorable and recognisable themes in this score as in every other one the
composer's written. Virtually each new scene of note seems to feature a
new theme. Back in the old days, people used to leave the cinema whistling
the movie's theme; these days, of course, that almost never happens - but with Forrest
Gump, they could have walked away whistling one of any ten or so great
tunes. The best one is the one for the very first track, "I'm
Forrest... Forrest Gump", the famous piano melody which accompanies the
feather, which could land here or there or anywhere, but ends up on Forrest's
shoe, symbolising the character's own journey through life. Another great
theme is "Run Forrest, Run" - which is reprised in other cues later on
- it owes a large debt to Jerry Goldsmith's Rudy, written the year
before, but is stirring and exciting stuff. "They're Sending Me to
Vietnam" introduces a really touching, very beautiful piano theme.
"Washington Reunion" is another moving piece, yet another new theme,
more rousing material. Most of the best themes are reprised in full in the
final two tracks, "I'll Be Right Here" and "Suite from Forrest
Gump". As I said in my tagline above, Alan Silvestri is like a box of
chocolates... you never know what you're going to get. The quality of his
scores, even for Zemeckis, vary considerably; even the best ones tend to rely a
little too much on restating a theme over and over (though Silvestri is
admittedly one of the best in the business at coming up with great
themes). But this is something more entirely, the one Silvestri score that
really transcends the movie and elevates it, and makes for a 100% satisfying
CD. Buy
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