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Artwork copyright (c) 1994 Trimark
Pictures, Inc; review copyright (c) 2003 James Southall
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FRANK AND JESSE Strong
western score showcases fine main theme
The 1994 telling of the story of the James brothers (played this time by Rob
Lowe and Bill Paxton) from director Robert Boris was the third film to feature a
score by the excellent Mark McKenzie. The western is one of those genres
that often inspire composers to produce some of their finest works, and this is
no exception - McKenzie crafted a strong, vivid work that leaves a huge
impression. The score can be divided into two. About half is composed for a
(smallish) orchestra, the other half for a very small ensemble. Through
skilful orchestration and possibly overdubbing, McKenzie does his best to make
the small orchestra sound bigger, but alas budgetary constraints meant he wasn't
really able to go to town, and the score's only real weak point is that the size
of the ensemble just cannot do it justice. This is big music, crying out
to be performed by a big orchestra. Anyway, the album opens (as so many of
McKenzie's do) with a suite of the main ideas in the score, and it is a real
treat, with both of the main themes getting full airings. That said, you
probably just can't beat the triumphant, thrilling arrangement of the main theme
in the second cue. The other half of the score is performed by recorder, guitar, harmonica, jug
and arched string wire. It's authentic-sounding, attractive and rather
more successful than other (more celebrated) composers' attempts at the same
sort of thing. Not exactly essential listening, but most enjoyable all the
same. If only the budget had been larger, we could have had a real classic on our
hands. McKenzie has proved time and again how talented he is, and for my
money Frank and Jesse could certainly be counted among his finest
works. Despite the problems outlined above, I can't help but strongly
recommend this release. Buy this CD by clicking here!
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