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FUN WITH DICK AND JANE Groovy
madcap comedy score for less groovy madcap comedy movie A review by JAMES SOUTHALL Another week, another remake, this time of Fun
with Dick and Jane, a not-very-good redoing of the not-very-good 1977 movie,
which starred George Segal and Jane Fonda. This time out, the roles are
taken on by the fading Jim Carrey, and Tea Leoni, who play a married couple who
fall on hard times financially and have to turn to crime to pay the bills.
Director Dean Parisot didn't manage to recreate the magic he found with his last
film, Galaxy Quest, though at least he made another wise choice of
composer, with Theodore Shapiro brought on board. Shapiro has become
typecast in comedies, which is a shame, but he's certainly good at them.
My first exposure to him was with his charming score for David Mamet's brilliant
State and Main (the only previous score of his to have been released),
and since then he's scored a number of high-profile comedies, including Starsky
and Hutch and Dodgeball. Hopefully Shapiro will escape the shackles of
comedy before long, but until then, if he keeps up to the same standards, I
won't be worrying too much. Fun with Dick and Jane is a typical
madcap comedy score, with everything but the kitchen sink thrown in. The
electric guitar-laden heist music at the start is very effective, if rather
familiar. The main title piece (oddly, the fifth on the album) is a lovely
lighthearted romp, with some charming orchestration. There's some
Morricone spaghetti western nods in "Illegal Immigration"; and some
really pleasant, heartfelt romantic moments in "Sleeping Beauty" and
"Got the Yard Back". There's even a lovely finale in "400
Million Dollars" which might rot the teeth but is genuinely lovely.
Much of the music is performed by a band (keyboards, guitars, drums, bass) and
is really funky, perhaps the way you might expect the score for Ocean's
Eleven to sound (but doesn't). The usual pitfalls of comedy scores (short
tracks, lots of ideas coming from all over the place) aren't avoided, but the
base material is so good they can be forgiven. It's hardly a substantial
work, but Shapiro deserves much congratulation for injecting so much energy into
a movie like this one, and credit also to Varese Sarabande for releasing the
album (you wouldn't expect to see a score album from a film like this).
It's a delightful 35-minute album, just the right length, and I look forward to
Shapiro's future scores with much anticipation. Buy
this CD from amazon.com by clicking here!
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