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THE HALLELUJAH TRAIL Rambunctious
comedy western score A review by JAMES SOUTHALL Elmer Bernstein scored four films for director John Sturges.
Two of the films and scores are classics - The Magnificent Seven and The
Great Escape. Another (McQ) is fondly remembered. One is
rather forgotten - The Hallelujah Trail, a rather silly western comedy
(its tagline was "How the West Was Fun!") starring Burt Lancaster, Lee
Remick, Donald Pleasance and other familiar faces. Its lighthearted nature
led to composer Bernstein writing a virtual self-parody for the score's
orchestral sections, but these are rather overshadowed by the choral music, with
lyrics by Ernie Sheldon. From the first track, these pieces dominate the album
experience (though not its running time, admittedly). They are something
of an acquired taste, and I'm not sure I've really acquired the taste: very
daft, sung by full chorus, they're the sort of thing that would quickly have you
turning the volume right down if anyone entered the room in case they heard you
listening to them. Certainly, they're full of a sense of fun, and the
score's main theme, sung in the first cue on the album, is extremely
catchy. Indeed, it is so catchy - and heard so frequently over the course
of the album, in virtually every track - it's difficult to resist walking away
whistling it once the album has finished, and becoming rather irritated to so -
it's so bright and breezy as to verge on being annoying. The score is at its best when it becomes less overtly
comedic. While a cue like "The Chase" is still quite obviously
from a farcical comedy, it at least has a sense of drama which keeps the music
going along and makes it one of the album's high points. The absolute high
water mark is the lovely, touching "Whiskey, Love and Temperance",
featuring a beautiful violin solo. By far the best of the (orchestral)
arrangements of the main theme comes in the Overture, an excellent Bernstein
piece. Don't get me wrong - this is fun music, dominated as Bernstein
scores almost invariably were by strong melody and a great sense of charming
enthusiasm; it just can't really hold up with Bernstein's exceptional music for
more serious westerns. The scores has now been released for the first time on CD by
Masters Film Music. It's the same re-recorded tracks with reduced
orchestra which were put out on LP at the time of the film - sadly, producer
Robert Townson was unable to rescue the heavily-damaged original tracks, except
for one brief unreleased cue, "The Bath". Jerry McCulley's liner
notes are interesting and the sound quality is fine. It's a long way from
being classic Bernstein, but does still have enough highlights to make it a
recommended purchase for the late composer's fans. Tracks |