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Artwork copyright (c) 2004 Warner Bros.
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2004 James Southall
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HELTER SKELTER Dark,
atmospheric music for chilling story A review by JAMES SOUTHALL Based upon Vincent Bugliosi and Curt Gentry's book about
Charles Manson and his trial, Helter Skelter had already been turned into
a movie in 1976 with Tom Gries directing. That time round the music was by
Billy Goldenberg (and not, despite what the IMDB would have you believe, The
Beatles - their song of the same name was featured in the movie) and this time
it's another tv composing veteran, Mark Snow, given the chance to
score. Films about serial killers are rarely going to attract the
most pleasant of scores but Snow's is endlessly, relentlessly bleak and almost
completely without warmth. It's a magnificent portrayal of the most
disgusting human facets, incomparably done and a credit to its composer.
But (and I'm sure you can see this comment coming), quite who would want to
listen to an album of it, I can't begin to imagine. The only moments of
warmth come when a wordless female vocalist is added; while the underlying theme
is still clearly one of terror, a track like "Leave the Baby" is
strangely (almost perversely) attractive. But more abject bleakness is
never more than a minute or two away (and some of the bleakest of all comes,
strangely, with the newly recorded version of the song "Helter Skelter"
sung by Glenn A. Jordan). Snow is a talented composer, and far too few of his works have
been released on CD, so in that respect it is good to see Helter Skelter out
there and available, but there are other of his works I would rather have first
(his efforts on The X-Files got better as the series went on, in an
inverse relation to the quality of the show itself, and ended up being among the
best music written for television in a long time). This is the first
release from BSX Records, an offshoot of the buysoundtrax.com online retailer,
and copies are available from their website. Tracks |