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INSIDE MAN Effective,
brooding suspense music A review by JAMES SOUTHALL Spike Lee's most conventional (and
paradoxically, best-reviewed) movie in years, Inside Man is a fairly
standard heist movie but with a taut, impressive screenplay and a wonderful
array of acting talent, featuring Denzel Washington, Clive Owen, Jodie Foster,
Christopher Plummer and Willem Defoe. Of course, regular Lee collaborator
Terence Blanchard was on hand to write the score. Blanchard doesn't write
too many film scores (of course, he is an accomlished jazz musician, primarily)
but - much like Mark Isham - when he writes jazzy scores, they are inevitably
more impressive than some film composers' faux efforts at the same thing. Inside Man is an excellent thriller
score, edgy and claustrophobic but consistently listenable. It's all
anchored around a strong main theme, an organic piece which appears in most
tracks but never outstays its welcome simply because Blanchard does so much with
it. Despite what I said earlier, most of the score is actually
conventionally orchestral, with deep brass and ominous strings, but when the
composer adds jazzy elements it really comes into its own, such as the occasional
trumpet solos winding around the main theme (solos performed by Blanchard
himself). Amongst the rather oppressive atmosphere, some lighter moments
are needed, and these are duly delivered, with the lovely piano theme in
"Frazier's Tour" being a highlight, and the violin solo of "Nazis
Pay Too Well" is simply gorgeous. For no reason that I can particularly discern
(though perhaps there is a good one), the film opens with a remixed rap version
of a Bollywood record "Chaiyya Chaiyya Bollywood Joint" (!) written by
the ubiquitous A.R. Rahman, which closes down this album. It's all rather
bizarre, but quite good fun. The album as a whole is effective and
impressive, if not the most entertaining; a solid thriller score. Buy
this CD from amazon.com by clicking here!
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