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Artwork copyright (c) 2003 Warner Bros.
Entertainment; review copyright (c) 2003 James Southall
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MATCHSTICK MEN Funky
if low-key effort by Zimmer for Ridley
Hans Zimmer's scores for Ridley Scott have resulted in some fine works - they
almost all work very well on CD at least, though in the film do little to dispel
the commonly-held belief that the director's flair for the visual is matched by
an equal-but-opposite lack of knowledge when it comes to music in his
movies. Zimmer has composed more scores than anyone else for Scott, and Matchstick
Men is their latest collaboration. The movie, the latest darkly
comedic "heist-gone-wrong" film, inspired Zimmer to produce one of his
lightest, breeziest scores. Zimmer has more than his share of critics - sometimes including even me - but
one thing I do think he does very well indeed - far better than most of his
contemporaries - is this sort of low-key fluff. It's strange to describe,
but Matchstick Men evokes the spirit of John Williams's Catch Me If
You Can without actually copying it in any way. Everything is quite
small, with the emphasis being on percussion, guitar, subtle synths and
generally quite a small band, though the full orchestra does join in from time
to time. Having mentioned Catch Me If You Can, the main theme is actually Nino
Rota's La Dolce Vita theme, for which Zimmer gives full credit.
It's heard in most tracks. Zimmer goes for a "theme and
variations" approach, generally writing music that is full of the same
spirit as the classic Rota score even when not directly quoting from it.
The results are mostly really rather delightful, with Zimmer blessing the
picture with a very graceful - dare I say European - air whereas most big-name
film composers would probably have written something just too overblown. Mixed in with Zimmer's funky score are various considerably-less-than-funky
songs from the likes of Herb Alpert, Mantovani and - gasp - even George Formby.
Though Bobby Darin does make a welcome appearance as well. Also in the
packaging are some bizarre liner notes by one of the film's music supervisors,
Dody Dorn, and some even-more-amusing-than-usual credits, which are rather
difficult to decipher. If light and breezy jazz floats your boat, this one is most certainly for
you. Buy this CD by clicking here!
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