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MRS HENDERSON PRESENTS Charming
collection of old-fashioned music hall numbers A review by JAMES SOUTHALL A British film directed by the excellent Stephen Frears, Mrs Henderson
Presents tells the story of how an enterprising theatre impresario (the Mrs
Henderson of the title) got around censorship laws in 1930s London and
introduced the city to its first nude "showgirls" (though a bizarre
bit of regulation meant that the girls were only allowed on stage without their
clothes if they remained completely still). Featuring an excellent cast
led by Judi Dench and Bob Hoskins, the film has already done good business in
this country, though whether its success will be translated stateside (given its
distinctly British nature) is questionable. With music playing a central role in the film, the composer's job was always
going to be an important one, so Frears made a shrewd choice when he decided to
renew his collaboration, after a gap of nearly a decade, with George
Fenton. Largely a collection of old, music hall-style source music, your
tolerance of that will no doubt fully dictate your tolerance of this
album. While about half of the album is instrumental, little of it is
actually dramatic underscore. There are some exceptions, with the lovely
"Joyride" and touching "Elegy" showing off Fenton's skills
with an orchestra. The gorgeous "The Girl in the Fan" is
probably the highlight, with a sensitive piano theme backed by subtle strings
bringing a touch of genuine emotion. Fenton's big band contributions are
enjoyable enough, if seeming to be a little disposable. Alongside the 20 minutes or so of instrumentals come several songs, some
originals by Fenton and Simon Chamberlain, some standards. The bulk are
sung by Camille O'Sullivan and Will Young, both of whom sing them on-screen in
the film. (The best, though, is Fenton's exceptionally enjoyable
"Babies of the Blitz", sung by The O'Brien Sisters.) Cues like
Young's interpretation of Noel Gay's "Letting in the Sunshine" are
also very entertaining. It's an enjoyable enough album, but as I mentioned
earlier, isn't exactly a dramatic underscore. Fans of the old-fashioned,
music hall-style will no doubt find it highly-satisfying. Tracks
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