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Artwork copyright (c) 2004 Walt Disney
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MULAN II Excellent,
if brief, sequel score A review by JAMES SOUTHALL Increasingly in recent years, Disney have been creating
direct-to-video sequels to their more high-profile animations. The Lion
King and Aladdin have (so far) spawned two sequels each, and there
are plenty of others too. It's not just recent movies either, with sequels
to Peter Pan and The Jungle Book (amongst others) having appeared
too. The latest is Mulan II, a slightly odd choice (since I didn't
think the original was all that popular), but a welcome one since Mulan
was actually one of their best features in years, at least since the Alan Menken
golden days of the early 1990s. I hardly need say to film music fans that the music for Mulan
was written by the late Jerry Goldsmith, who delivered perhaps his strongest
score of the 1990s for the picture, and one of the all time great scores for an
animation (but a score that, sadly, can only really be appreciated if you are
lucky enough to have found a copy of the rare Oscar promo pressed by Disney); so
it was a hard act to follow for the composer of the sequel, Joel McNeely (who
has scored a few of the other direct to video movies, though only one - the
lovely Return to Neverland - has been released on CD). Fortunately, McNeely has crafted a superb score, with the
occasional nod to Goldsmith's style of the first movie, but thankfully crafted
entirely in McNeely's own style. Before we get to that, though, there are
also some new songs included on the album, written by a variety of people.
The Menken-like "Lesson Number One" (actually composed by Jeanine
Tesori, with lyrics by Alexa Junge) opens the album, and it's a nice song
performed well by Lea Salonga, but it never quite reaches Menken's
standards. There's one other song by Tesori and Junge, "Like Other
Girls", which is a lovely comedic piece for three female singers.
Performed as heard in the film by Beth Blankenship, Mandy Gonzalez and Judy Kuhn
it's quite delightful, but sadly there's also a pop arrangement performed by
Atomic Kitten. Usually with these pop groups, the members' inability to
sing is masked somewhat by them singing all together at the same time and with
numerous session singers dubbed rather louder than they are, but even that can't
save Atomic Kitten. There's a brief reprise of "A Girl Worth Fighting
For" from the first movie and then an original song by McNeely, the
beautiful "Here Beside Me" sung by Hayley Westenra, which really is a
treat. As for McNeely's score, there are occasional quotes from the
song (particularly "Lesson Number One" which forms the basis for the
orchestral main title) and a lovely orchestral arrangement of the composer's own
song "Here Beside Me"; but by and large it consists of particularly
strong original material. There's one big action setpiece, "The
Attack", which is dynamite stuff, great orchestral action/adventure
music; the rousing "Shang Lives!"; and most of the rest is evocative,
beautiful music, none moreso than "The Journey Begins", the opening
score track, a complete delight. Indeed, the only complaint I can have is
that there is so little score on the album - barely twenty minutes. It's
very rare I find myself saying this, but this is one album which really does
need more score on it (I've no idea how much extra McNeely actually wrote for
the movie) because it ends long before you want it to. Still, apart from
that, you can't really go wrong here if you're a fan of good, old-fashioned
orchestral film music, and because the album is so short, it's even been
released at a real knock-down price. Buy
this CD from amazon.com by clicking here! Tracks |