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Artwork copyright (c) 1999 Warner Bros.; review copyright (c)
2004 James Southall
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MY DOG SKIP Sweet
and lovely music A review by JAMES SOUTHALL William Ross is far more prolific as an orchestrator for
others (most prominently for Alan Silvestri) than as a composer in his own
right, but he has scored almost thirty projects now, dating back to various tv
shows as long ago as the 1980s. Impressive though his music regularly is,
it's difficult to escape the fact that it often seems more heavily influenced by
temp-tracks than most; blame the director, blame the producer, blame the illegal
immigrant who sweeps the floor of the scoring stage, but it's there for all to
see. My Dog Skip is no exception - but despite that, there's no
denying that it's a truly lovely piece of music. The movie is about a boy (played by the young man from Malcolm
in the Middle) and his dog (played by the young man from Frasier) in
a good-natured coming-of-age tale, and without putting too fine a point on it,
it sounds for all the world like Ross was hired to do his best impression of his
regular boss Silvestri. He does it very well. Silvestri is one of
the film composers who scores this type of movie very well, occasionally
slipping into the realms of schmaltz but usually pitching the sentimentality at
just the right level. Ross does the self-same thing here, using all the
devices which work so well in this type of film, from the sweeping strings to
the twinkly pianos, it's Forrest Gump by way of Rudy all over
again (only failing to match up to those popular works because the theme isn't
quite so memorable). Elsewhere, there are moments of Coplandesque Americana, most
notably in "Sad Homecoming"; outright Marc Shaiman-style
"sweet-as-it-gets" scoring in "Opening Day"; a little bit of
playful comedy music in "Driving with Skip"; and one of the most John
Williams-like pieces of music you'll ever hear not written by the great man
himself in the darker "Greenwood Cemetery". Every track offers
something delightful and it's only the knowledge that virtually every track can
be traced quite clearly back to something else that keeps the score from getting
to the next level up. I daresay that it is the listener's reaction to the
"temptrackitis" which will shape his view of My Dog Skip, but
if you can get over it then you won't find too many more overtly pleasant and
amiable listening experiences. (As a sidenote, this album has probably the
cutest CD cover in history.) Buy
this CD from amazon.com by clicking here! Tracks
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