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Artwork copyright (c) 1991 Sony Music
Entertainment Inc..; review copyright (c)
2003 James Southall
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SLEEPING WITH THE ENEMY Beautiful
theme but it's stretched too thin A review by JAMES SOUTHALL This is a slightly odd score really, a wholly
inconsequential effort in the grand scheme of things simply because every idea
in it has been done better by Jerry Goldsmith elsewhere. The definite
highlight is the lilting, beautiful main theme, a gossamer-thin piece that
sounds so fragile it will give way any minute; the trouble is, it's heard so
frequently during the album that you're tired of it by the end. The film
is one of the most successful Goldsmith scored during the 1990s (believe it or
not!), with Julia Roberts being a virtual guarantee of box office success at the
time. The film saw Roberts play an abused wife who faked her own death
because she saw it as the only way to escape her brutal husband, though of
course it didn't work. The score's main problem is the action music
(believe it or not); it's not that it's all that bad, it's just that Goldsmith
has done it so much better on so many other occasions. The best tracks are
certainly the ones based around the main theme, especially "Spring
Cleaning", a splendidly idyllic portrait of suburban bliss, but even the
theme does outstay its welcome by the time the brief album has come to a
close. Of the action tracks, "The Ring" is probably the most
impressive, but only in the same way as something like the one action cue in Love
Field is fairly impressive. Elsewhere, the action and suspense music
is basically a few electronic clangs and brass stings just filling in gaps
before the main theme appears again. Comparisons with Love Field are
obvious, but I feel that this is nowhere near so strong, with simply not enough
variety or movement. It's that rare thing, a Goldsmith score that seems to
lack direction, and while it suits the picture like a glove the album just isn't
interesting enough. Buy
this CD from amazon.com by clicking here! Tracks
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