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Artwork copyright (c) 1999 Columbia
Pictures Industries, Inc.; review copyright (c)
2004 James Southall
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STUART LITTLE Big-hearted
music for little mouse A review by JAMES SOUTHALL All composers tend to have movies for which they specialise -
for some, it could be psychological horror; others, action thrillers; others,
romantic comedies. Alan Silvestri seems to specialise in movies about
mice, having scored Mouse Hunt and both Stuart Littles in recent
years. Surprisingly, there was never a score album released for either of
the latter - a great pity, because the music is as charming and delightful as
the films. Fortunately, Columbia Pictures did put together an album to
send to Oscar voters in an attempt to get a nomination for the score, and that
album has found its way around the collectors' circuit. Silvestri focuses very much on the sweet, good-natured side of
it all without directly accentuating any of the comedy, which results in a score
which could certainly never be accused of failing to be sentimental, but the
composer manages to keep just the right side of things becoming too
saccharine. "Tearful Goodbyes", which opens the album, is the
perfect example, as it introduces the main theme for strings and woodwinds, a
delightful concoction that is really most touching. The second theme is
much jazzier, representing the bustle of city life; it's another good piece,
which Silvestri sends through some nice variations along the way. Despite
the quality of the two themes, the best cue is a piece of first-rate adventure
music that comes out of nowhere, "Boat Race", a piece of great energy
and vigour which actually evokes John Williams at his best. This score is certainly not half as inventive or downright
entertaining as Mouse Hunt, but for all that it is still a superior
example of a score for a movie of this type. With a pair of great themes,
one first-rate piece of family action music and enough charm to blow your socks
off, the only real drawback is that it's so hard to get hold of the music.
It'll probably be too sentimental for some - but then, they probably wouldn't be
trying to get their hands on the music for a film about a talking mouse if they
were without sentiment themselves. A delight. Tracks
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