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2004 James Southall
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THUNDERBIRDS 2 Fun
music for fans of the show A review by JAMES SOUTHALL Coinciding with the cinematic release of the live-action Thunderbirds
movie (rarely can a motion picture have been so ill-advised) comes this second
volume of music from the 1960s tv show, scored by Gerry Anderon's regular
composer Barry Gray. The series is fondly remembered by those who grew up
with it at the time, and those who grew up with it in years to come due to the
endless repeats; and everyone fond of it will be able to hum you the theme
tune. This album presents music from numerous episodes including various
source cues and the main title themes. Much though music like this is fondly remembered, I do have to
wonder whether anyone except the most devout followers of all things Anderson
can derive all that much pleasure from actually listening to it. It is
certainly well written and absolutely perfect for the show, but then after all
it is for a children's tv series and so flitters and flutters about from one
place to another, is frequently very silly, and after the nostalgia effect wears
off (which it undoubtedly will, given the two volumes of music now released last
over two hours between them) it can become more than a little like a chore,
sitting listening to it. Things begin, as they must, with the main title, this time
without the sound effects and narration that appeared both in the show and on
the first Thunderbirds album. After that, the best moments come
when Gray plays it straight. "Taking a Desperate Chance" is a
fine piece, with a little nod to the Bernard Herrmann of Cape Fear;
"Century 21 March" is a good expansion of the middle section of the
main theme; "Dangerous Game" is a cheesy but surprisingly good song
performed by Jack Clegg; "San Martino" is a deliciously lovely guitar
piece. Trouble is, I'm not sure exactly who is going to be able to listen
to daft little pieces like "New York City" and "The Duchess"
without constantly looking around to make sure nobody else is within range of
hearing. Of course, I don't want to be too hard on it! After all,
I've just named almost half a dozen great pieces. You certainly do need to
be in the right mood to listen to it, but should you be in that mood then it's a
nice way to spend some time. Of course, big fans of the show and the
composer will just love it, and I'm sure it's them that it's aimed at in the
first place. The album presentation is good - there are lengthy liner
notes (which manage to be incredibly detailed about everything but the music,
which is barely mentioned, though there is part two of a lengthy and interesting
biography of the composer) and the sound is fine for what it is (a little too
much reverb perhaps, but then what do I know?) Tracks
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