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Artwork copyright (c) 2004 Universal
Classics and Jazz; review copyright (c)
2004 James Southall
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THUNDERBIRDS Middle
of the road stuff for the kiddies A review by JAMES SOUTHALL A somewhat ill-advised movie, Thunderbirds marks the
first major movie directed by Star Trek's Jonathan Frakes (outside of
that franchise), with a surprisingly good cast (Bill Paxton, Anthony Edwards,
Ben Kingsley) being roundly scorned for sub-par performances in what is
essentially an attempt by Universal to recreate something along the lines of Spy
Kids. The original series is a kind of camp cult classic but never
really seemed the sort of thing suitable for a live-action big-budget treatment,
but then what do I know? It was of course scored by Barry Gray and I
suspect this movie would have been scored by Jerry Goldsmith had tragic events
not unfolded the way they did, but instead Frakes turned to the
remarkably-prolific Hans Zimmer, assisted by Ramin Djawadi. Many reviews and other comments I have read elsewhere have
said that the score is a surprising and mainly-orchestral updating of the Barry
Gray sound. I have to say, the only surprising thing I find about the
music is that anyone found it surprising: it's surely everything one would
expect a Zimmer score for a kids' film to sound, with his usual mix of the
orchestra and electronics but with a slightly lighter feel. The album
opens with a slightly hideous - though less hideous than it could have been -
updating of Gray's classic theme, before the Zimmer/Djawadi music starts in
earnest with the entertaining "International Rescue", showing off
their catchy little main theme. The score contains a lot of action music, split generally into
two camps - some of it is mostly orchestral, but with almost-permanent
electronic accompaniment, and this works well - and some features a very modest
orchestra overlaid with trendy - but so, so irritating - drum loops. Some
highlights include the playful "Can't Wait to be a Thunderbird",
action-packed "TB 3 Takeoff" and anthemic "Junior
Mission". There is some considerably lighter music at times,
including a lovely synth wind theme heard briefly in "Fafafa... No
Way!" The less good music comes with t the more obvious attempts to
appeal to the yoof audience in things like the pointless "Thunderise!"
which is for the most part just a repeating drum loop, before the main theme
bursts forth towards the end, showing how much better things could have been if
Zimmer had steered clear of the electronics a little more. The final part
of the album is dominated by somewhat meandering, lengthy action pieces which
aren't all that great, before a reasonable arrangement of Gray's "FAB"
and the popular song by teeny boppers Busted, "Thunderbirds are Go". This is a reasonable album. It's nothing too great,
nothing too awful, just pleasant and generally inoffensive music all the way
through. I sometimes wish Zimmer would be a little more ambitious a little
more often because this is clearly just treading water, but at least it's a bit
of a change from the more turgid, serious stuff he has been writing
recently. The Peacemaker-lite, I suppose. Buy
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