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Performed by Engineered by Released by Album cover copyright (c) 2005 Image Entertainment; review copyright (c) 2006 James Southall |
UNKNOWN SOLDIER Mellow,
pleasant jazz score A review by JAMES SOUTHALL A 2004 movie, Unknown Soldier is a
low-budget film about a New York man who is left homeless following the death of
his father, and chronicles the trials he faces as a result. It got very
positive reviews, particularly for its star, Carl Louis, and first-time director
Ferenc Toth. Providing the music was composer Peter Calandra, who explored
the urban jazz roots of the great city; somewhat surprisingly, given the
subject-matter, this isn't very modern, mainly electronic jazz, but far more
restrained and tuneful. It's only his fourth score - and all the others
have been for low-budget films as well - but suggests he is certainly a capable
composer. As I said, it's jazzy music, but generally
rather laid-back, with a relatively modest ensemble of sax, trumpet, percussion
and bass supported by keyboards. It's a lovely "soundscape"
which has been created, focusing mostly on very mellow sounds. Jazzy
scores like this inevitably tend to offer a distanced accompaniment to the film
rather than a more traditional dramatic commentary, but the approach can work
very well on the right films. Only occasionally does the music become more
urgent, most notably in "The Escape", which takes on a considerably
darker hue. This is then followed by the piano-based end title cue, which
itself is very attractive and catchy. After the somewhat brief score
(about 25 minutes) come three piano solo bonus tracks, which are all just as
good. Unknown Soldier is the first release
from a new label fronted by noted film music journalist Mikael Carlsson,
MovieScore Media. Intriguingly, all of the releases are to be available
only as downloads from internet stores. I have mixed feelings about this:
for one thing, it instantly alienates those who don't have broadband or similar
internet access; for another, it does of course mean that sound quality is
less-than-CD quality. And finally, perhaps most importantly, it removes
the (perhaps irrational) pleasure that comes from having a physical CD in your
hand, with a case and a booklet, which can be played anywhere. I'm not
sure enough people can really be bothered to go to the hassle of transferring
things in whatever way they need to in order to listen to the music on the
stereo in their dining room when they're having dinner, or in the car. The
overriding argument the other way, of course, is that it enables things to be
released which wouldn't have been otherwise. (Unknown Soldier is an
extremely obscure film, and Peter Calandra is an extremely obscure composer, so
it's virtually inconceivable that this fine music would have been released in
any other way.) It's when more high-profile projects begin being released
exclusively online (as, I guess, they already have) that I will really be
disappointed. But never mind, the music's the thing, and in
the case of Unknown Soldier it's impressive, and certainly worth checking
out if you're a fan of easy-going jazz, or perhaps the jazzier efforts of a film
composer like Christopher Young. Tracks |