• Composed by Thomas Wander and Harald Kloser
• Varèse Sarabande / 61m

Few directors have such a bizarrely bipolar approach when it comes to their music as Roland Emmerich – up to The Patriot you heard some of the most exciting film music of the time; after it, probably the dullest of all time. I’ll let the composers of Midway, Thomas Wander and Harald Kloser, describe this score themselves courtesy of the press release, because they do a better job of it than I could: “We agreed that the music for Midway should not be a traditional wall-to-wall orchestral score, with sweeping action cues where every change in mood and sentiment will be followed musically. We also set ourselves the goal that the orchestral pieces should be limited to the emotional moments of the film. Early on we asked our long-time collaborator Tommy Schobel to create some sort of musically driven sound design, using synth-based versions of sounds old war planes would make, but in a way so they make sense within the bigger picture of the score. When you hear these cues in the film, married with all the sound effects, it all becomes — quoting our re-recording mixer Greg P. Russel — ‘A Thing.'”