- Composed by Alan Menken
- Walt Disney Records 5099991924322 / 2010 / 55:38
Disney continues its effort to recapture the magic it experienced through its 1990s golden period with Tangled, following the warm reception (but slightly poor box office) afforded to last year’s The Princess and the Frog. First things first, the title – awful! What genius came up with this? The story is Rapunzel, the classic Brothers Grimm tale of the girl with long hair. It’s classic Disney territory and has met with another very warm reception. In another link to their 90s success, the studio has returned to a man who can take a pretty fair share of the credit for their revival during that period, the incomparable Alan Menken, who has more Oscars than any other living person (eight!)
The composer was cast aside by Disney for a long period as they went in a different and entirely less lucrative direction. Perhaps it was the success of Enchanted, for which Menken wrote songs which managed to slightly poke fun at his classics while being brand new classics themselves, that made them realise quite how perfect he is for them. And so, he returns for Tangled. And after that swooning build-up, the surprising news is that the songs here are a very slight disappointment. There’s magic here, there’s catchy melody, but not an outstanding number; there’s no “Part of Your World” or “Under the Sea” or “Be My Guest” or “Out There” – indeed, there are only five songs (though a couple get multiple reprises).
“When Will My Life Begin” is the big number, sung by Mandy Moore as Rapunzel; its gentle folk rock is a surprise. It’s very pleasant; unsurprisingly, inoffensive. Not all that memorable, though. “Mother Knows Best” (performed by Donna Murphy as the nasty Mother Gothel) is more in the traditional Menken style with orchestra, but again it’s not right up there. “I’ve Got a Dream” is the comedic relief; “I See The Light” the romantic ballad, and the one which deserves an Oscar nomination. A duet, full of soaring orchestral and vocal passages, it vaguely evokes the ubiquitous “A Whole New World” from Aladdin. Predictably, I will say it’s not in the same league; but Menken is in a league of his own, and it’s better than anyone else would have come up with.
In fact, the star here is the (instrumental) score. Four of Menken’s Oscars are for Best Score, but they weren’t nearly as well-earned as those he won for Song (and The Hunchback of Notre Dame and Enchanted are far better scores than any he won the Oscar for, but weren’t even nominated). His orchestral underscores have just got better and better over time, and this one is just as good as the wonderful Enchanted in that regard. The strangely-produced album’s first score track, “Flynn Wanted”, is a terrific piece of heroic action/adventure music which should satisfy all those who like such things; later, “Horse with No Rider” is even better, adding choir to proceedings. It’s wonderfully-accomplished music.
It’s not all action, of course. There’s a gorgeous theme in “Campfire” – not romantic, but stunningly beautiful, with an air of James Horner about it. A highlight is the beautiful “Waiting for the Lights”, which features beautiful solo passages for guitar and piano and a bit of orchestral magic too. Slightly cheesy, perhaps, but irresistible – to me, at least. Inevitably, the biggest cheese is saved for the end of the score, with “Kingdom Celebration” rounding things off in predictable style. (Sadly, the end title song appears after that; as with The Princess and the Frog, the film’s composer wasn’t trusted to write it despite having scored countless big hits for the studio in the past, and instead we get a pathetic, insipid pop song, by this time someone called Grace Potter.)
Menken’s songs are good – not great by his standards, but still very enjoyable; his score is excellent. In an unusually strong year for scores from animations (John Powell’s How to Train Your Dragon was loved by many; Randy Newman’s Toy Story 3 is terrific), Tangled is probably the best of the lot. Highly recommended to all Disney lovers, of course; but those who just love old-fashioned, theme-driven family adventure scores will probably love it too. ****